Areas of Activity#

Here you will find all fields of scholarship for this section.
  • 19th century French literature Go to
  • Aesthetical Discourse (history and theory of taste) Go to
  • Art and technology Go to
  • Art-based Research (bio-art and bio-media) Go to
  • Art History and Archeology (historiographic focus) Go to
  • Art history and its media Go to
  • art history and visual culture Go to
  • Cinema and cultural memory Go to
  • Cinema-going and experience Go to
  • Citizen engagement through Media Go to
  • Communication and information technologies Go to
  • Communication studies Go to
  • Comparative literature Go to
  • Consequences of online media for classical media Go to
  • contemporary theatre Go to
  • Contemporary theatre practice Go to
  • Creation, exhibition, and sharing of archival resources Go to
  • Cultural and visual anthropology Go to
  • Cultural criminology Go to
  • Cultural dimensions of mediatization Go to
  • Cultural heritage studies Go to
  • Cultural histories of performance Go to
  • cultural informatics Go to
  • Cultural informatics Go to
  • Cultural mediation Go to
  • Cultural processes Go to
  • Cultural production and consumption in contemporary culture industries Go to
  • Culture and perception Go to
  • Culture industries Go to
  • Digital aesthetics Go to
  • Digital cultural heritage Go to
  • Digital humanities Go to
  • Digital research methodologies Go to
  • Digitization and marketization processes Go to
  • Directors' theatre Go to
  • Emotions and media Go to
  • English literature Go to
  • Entertainment television and the relation between production practices and textual expressions Go to
  • Environmental and ecological performance Go to
  • Ethnography & folklore Go to
  • European identities, symbols and narratives Go to
  • European media and European audiences Go to
  • European theatre cultures Go to
  • Experimental media Go to
  • Feminism and media Go to
  • Feminist media studies Go to
  • film and media studies Go to
  • film and media studies, memory studies Go to
  • film, media and visual studies Go to
  • film, media & visual studies Go to
  • Film studies inc. genre studies, auteur studies and film history Go to
  • Gender and media/film Go to
  • Global culture and media Go to
  • Godard and French Nouvelle Vague Go to
  • History of theater Go to
  • Hollywood melodrama Go to
  • Homelessness and media Go to
  • Identity representation and construction in cinema Go to
  • Information and communication technology Go to
  • Information and media literacies Go to
  • Information sciences Go to
  • Intercultural performance Go to
  • Intermedial interplays between cultural genres and media forms Go to
  • International Communication Go to
  • International politics Go to
  • Intersectional interplays between identity dimensions Go to
  • Journalism studies Go to
  • languages & literature Go to
  • Literature (avant-gardes, literary theory) Go to
  • Literature, culture and media studies Go to
  • Mass communication Go to
  • media and communication studies Go to
  • Media and communication studies Go to
  • Media and cultural analysis Go to
  • media and cultural studies Go to
  • Media and food markets Go to
  • media and gender studies Go to
  • Media and generations Go to
  • Media and the public sphere Go to
  • Media art research Go to
  • Media, communications and culture Go to
  • Media consumption and the production of value in cultural industries Go to
  • media/cultural studies Go to
  • Media domestication Go to
  • Media practices and urban spaces Go to
  • Media Processes and Effects: narrative experience and persuasion, cultivation, media use, environmental and health communication Go to
  • media reception, processes and effects Go to
  • Media structure and use in the Baltic Sea region Go to
  • Media technologies Go to
  • Mediated identity management Go to
  • Mediatization and everyday life Go to
  • Media use and media contents, inc. patterns of individual use and media repertoires, media uses of children and young people Go to
  • Memory, trauma and witnessing in Arts and Media Go to
  • Methods and Methodology: quantitative and qualitative data collection and analysis; ex-perimental designs, multimethod designs Go to
  • Mixed and virtual reality Go to
  • Mobile interpretation and user-generated documentation Go to
  • Narratives of Shoah in visual (cultural) memory Go to
  • Oral history and digital heritage Go to
  • Performance and film analysis Go to
  • performance studies, new media Go to
  • Philosophy (ancient, medieval, modern and contemporary) with emphasis on the problem of time Go to
  • Philosophy and education Go to
  • Polish and East European Theatre: Gardzienice and Jerzy Grotowski Go to
  • political economy of culture Go to
  • Popular culture, civic engagement and participation Go to
  • Popularisation of science and medicine Go to
  • Practice as research Go to
  • Process arts (videographic, auditive, installative, and performative arts as well as the virtual / hypertextual cultural practices) Go to
  • Production of films Go to
  • Psychoanalytic literary theory Go to
  • Public opinion research Go to
  • Publics and youth in the changing digital media landscape Go to
  • Real-time graphics systems architectures Go to
  • Religious studies (superstition, the body, cultural foundations of religions; contemporary religious endeavors) Go to
  • Research assessment Go to
  • Research management Go to
  • Risks and opportunities afforded by online technologies Go to
  • Role of imagination Go to
  • Social and cultural theory Go to
  • Social history of media Go to
  • sociology of communication Go to
  • Spanish-language theatre- and filmmakers Go to
  • Studies of representations of ageing women in the media Go to
  • Suzuki training and Eastern theatre forms Go to
  • Symbolic power of media institutions Go to
  • Television and culture Go to
  • Theories of performer training and performing Go to
  • Theory of emotions Go to
  • Violence in the media Go to
  • Visual and media narratives Go to
  • Visual arts and visual culture (drama, film; contemporary aesthetics; intermediality, acting and improvisation) Go to
  • Visual Studies and its Boundaries (mirrors, frames and ‘immediacy’) Go to

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